Summary:

The "Simei Man" being broadcast on Hunan Satellite TV, with Chu State in the Warring States Period as background, tells the history story of Qu Yuan's helplessness and transformation of Chu Huai Wang. The costume styling of the play attracted a lot of viewers to question “too gaudy” and “the dyeing technology of that era could not reach such a colorful effect”. The audience shouted: “Is Qu Yuan crossing through before the Dragon Boat Festival?” , and frequently mentioned the same historical drama for the Warring States period, such as "Yue Yue Chuan", "Da Qin Empire" to do positive examples. However, according to "Liu Zi, Gong Meng Pian" in "The Old Man of Chu Zhuang Wang Xian Guan, Shu Yi clothing, to rule his country, its national governance" and other literature, said the Warring States period of the Chu country is a beautiful Colorful costume world.

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The Beijing News interviewed experts in the industry and experts in costume history. They believe that the costumes in the play are more than modern and lack a sense of history. They are more like the costumes of costume dramas. The model designer Yi Si of “Si Mei Ren” responded by saying: “We are following imagination and indulgence as much as possible on the basis of 90% of historical culture.”

Color matching

Yang Mei Sword Dance: The use of color alone, the Warring States period, clothing is not really monotonous. The dyeing technology in the Spring and Autumn and Warring States Period was already very developed, dyeing red, blue, purple, yellow, green and black fabrics of various colors. From the lacquer paintings in the Warring States period, in real terms, there were various colors of clothing at the time, but the number of shades on the film and television may be different from those at that time. However, the "Chu people are still red", the yellow system was used by the emperors after the Sui and Tang dynasties, and it became the special color of the emperors only after the Ming Dynasty.

West teacher: The Chu culture was very beautiful at the time. I have seen some very well preserved fabrics unearthed from the Mawangdui and Mashan Han tombs. The colors are very bright. It is just that the definition of gorgeousness in "Qu Yuan Chu Chu Ci" is not necessarily the gorgeousness recognized by the audience. This drama is very colorful. I think it is at least the designer's understanding of the style of Chu.

Tang Yi: I think he pursued colorful and magnificent, but from the aesthetic point of view, is not really very advanced design. The current styling not only did not help people understand the characters, but it also subverted the expression of this character. I feel that the colorful texture destroys the feeling of Qu Yuan in everyone's heart.

Apparel styles violate history

Yang Mei Sword Dance: During the Warring States period, males used collars and hemcoats that were connected to the upper body and the hem, especially the Chu State. The clothes were often worn as "Qufu" and they had been popular until the Western Han Dynasty. Qu Yuan's costumes are the styles of cross-dressing gowns and counterfeit jackets worn by costume dramas in recent decades. Such jackets are not very useful at the time, but they are the standard for men's wear before the Qing Dynasty.

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Tang Yi: Sometimes the costumes will do something to please the audience, but they haven't been pleased with the success. I think this show is a visually leaping design, using patterns and colors that are modern. The whole design seems to me to be "freehand" rather than "realistic." I think we need to consider the audience's aesthetic understanding. Your creativity cannot escape everyone's imagination for Qu Yuan and this dynasty.

Reflective fabric is too high

Yang Mei Sword Dance: The specific match, during the Warring States period, the general rim side would use colored brocade with heavy colors and textures. The clothing would use relatively light leno, and conditional color lock embroidery. Still can not see the material and craftsmanship, but at that time the decoration of the cloth is almost only a technique of lock embroidery, it is less likely to use the gold and silver threads and color printing in the stills.

Tang Yi: With everyone's imagination, at the time, from the fabric, all aspects should be very simple, because it is underdeveloped. Therefore, the previous movies used monochrome and simple fabrics to do pre-Qin clothing and headdresses. The texture and light of the fabric need to be combined. When your fabric has a high degree of reflection, the light is strong. If the light is particularly bright, it will reduce the texture. Today's young people may like bright colors, but it does not mean that they are willing to see the bright clothes in the TV series.

Hairstyle dream

Yang Mei Sword Dance: In the Warring States period, the prevalence was not the same in all countries. Chu women were behind the head or sideways, and the male was wearing a crown. Adult males of all ages will not be directly exposed. Most of the hairstyles in the play are costume designs of costume dramas.

The crew responded to the colorfulness of the characters

Yi Zhuo: We have to do design. First must look at the Chu culture. At that time, the Chu culture was more prosperous. It was because of this that people like Qu Yuan were created because of their love of creating new characters and their love for flowers and birds. When I communicated with the director at the time, I insisted that the design be fashionable. After all, this drama is seen by modern people. Now it is rare for people to look at historical data while watching.

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The second is the stimulation of humans by visual effects. Our design is based on 90% of the original history and culture. We have as much imagination and indulgence as possible. We hope that the characters can live a little. At that time, Qu Yuan was a state in which he hated Chu Wanghuai for his incompatibility. At that time, the State of Chu had developed very well and had a smooth song and dance. Together with the selection of Mark as Qu Yuan, Qu Yuan is also a poet with some enchanting personality. He often makes unpleasant things. For example, hair is a good feature. His external image embodies his elegant and unconcerned character; Designed with colorful colors, these are changes based on personalities. The entire costumes, accessories, and head models are all designed to luxury.

Current jury:

Yang Mei Sword Dance (Ancient Costume Researcher)

Tang Yi (famous stylist, film "Snowflake Secret Fan", "very perfect" modeling design)

West teacher (a senior costume costume design)

The crew responded:

Yi Yi ("Simei" modeling designer)

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