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In the past few days, a new statue of Confucius was unveiled in front of the National Museum on the eastern side of **. According to Professor Wu Weishan, the artist behind the sculpture, “The statue complements the grand architecture of the National Museum and reflects the enduring glory and hopeful future of Chinese culture.†While many citizens and online users have welcomed the installation, it has also sparked some debate.
The controversy mainly revolves around the representation of Confucius and the cultural message the statue conveys. Some critics argue that the figure appears exaggerated, with an unexpressive face that doesn’t match the traditional image of the revered philosopher. Others believe that placing such a statue may not be the best way to promote traditional Confucian values.
In my view, however, the artistic interpretation of Confucius is not inherently problematic. As the saying goes, “There are as many Hamlets as there are readers.†Similarly, each artist may have their own vision of Confucius. If every sculptor followed the same standard, where would creativity and artistic expression come from? Wu Weishan has spent years studying Confucius and has created over 20 different interpretations, drawing from ancient texts and historical accounts. His work is not just based on imagination but also on extensive research.
That said, the placement of the statue raises more questions than answers. The author believes the real issue is not the design itself, but rather its location. First, there are already many statues of Confucius throughout the country, so why another one? Second, while Confucius is a cultural icon, the National Museum is not just a temple of learning—it’s a place for history, art, and public engagement. Third, although the statue may look imposing, does it truly blend with the surrounding architecture and the grandeur of Chang’an Street?
Before making such a significant cultural statement, shouldn't the public have been consulted? It's one thing to create a statue, but quite another to decide where it belongs. I remember when Macau was returned, an electronic countdown clock was placed at Guobomen. It served a symbolic purpose, reminding people of a historic moment. But such installations are temporary—permanent sculptures, on the other hand, require careful consideration.
Placing a statue of Confucius in front of the National Museum is certainly respectful, but does it enhance the visitor experience or simply add another landmark? Perhaps a statue of a historical figure or a set of cultural relics might be more fitting. Museums serve a broader purpose than just honoring individuals—they collect, preserve, and display artifacts for public education and appreciation.
The National Museum of China, after its expansion in 2007, became the largest museum in the world, yet its popularity and public engagement still lag behind institutions like the Louvre, the British Museum, or the Metropolitan Museum. Learning from these global examples could help improve how the museum connects with the public. After all, the goal of a museum is not only to showcase history, but to inspire curiosity and foster a deeper connection with culture.
September 29, 2025